11 August, 2013

Silver Linings Playbook: A rom-com tale of a bipolar man

Rarely do films depicting mental illness manage to do justice to real life situations that a mentally unstable person would go through. The norm in films when it comes to portraying a mentally challenged individual is to show them constantly upset, overreacting to simple situations with anger and attempts to show what the character is going through by use of graphic visuals which are meant to represent disorientation. Few films really fair well when it comes to handling characters with mental stability problems.

After spending eight months in a mental asylum to be treated for his bipolar disorder, Pat Solitano is released under condition that his parents will tend to his every need and keep him out of harm’s way. Having dedicated the better part of the eight months on losing weight and shaping up, Pat decides to carry on his workout routine outside the asylum in the hope that his wife would take him back on his release. Unfortunately, a violent incident prior to his hospitalisation resulted in his wife getting a restraining order against him and moving away from the neighbourhood in his absence. He reconciles with his best friend Ronnie and is invited over for dinner where he meets Tiffany. The widow of a recently deceased cop, Tiffany has some mental problems of her own which forms the basis of her friendship with Pat. They soon strike up a deal where Pat will partner Tiffany in a dance competition for her help in communicating with his wife in the hope that she will take him back.

Silver Linings Playbook was adapted from a novel titled The Silver Linings Playbook which draws its name from the protagonist mentioning the silver lining on every dark cloud every time he is faced with a challenging situation and his discussions with his therapist who insists he start making a playbook by which to live his life. It was written for screen as well as directed by David O. Russell. The film is mostly a drama which borders on the edges of a romantic-comedy.

The protagonist is established as a mentally ill person from the beginning. Unfortunately this paves the way for recurring aggressive behaviour throughout the film on his part. Although he is shown to have bipolar disorder he shows very few traits of the disorder itself; he does not seem to have constant mood swings between depression and happiness. Instead he seems to have violent outbreaks when things don’t go his way. Another unnecessary feature is the love interest of the protagonist also having a mental condition. The film seems to propagate a belief that mentally unstable people can only get along with other mentally disturbed people.

The story is easy to predict from the first instance that protagonist Pat meets his future love interest Tiffany. Unfortunately the story doesn’t gradually progress in the direction of the obvious. Pat is seen to be deeply in love with his wife the entire time that he is rehearsing for a dance competition with Tiffany. At the end of the film we suddenly find that Pat, who has been obsessing over his wife the whole film, realises that he isn’t really in love with her in a convenient climax.

The film doesn’t have too many ebbs and surges in the plot. It is mostly a drama with very few instances of dry wit humour. The only refreshing point of the film is the humour which is sparse unfortunately. That aside, the film is quite dry and depicts mentally unstable people far too stereotypically.

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