14 October, 2013

A Clockwork Orange: A little bit of the ‘ultra-violence’

There are few films that keep the audience hooked from start to finish. There are fewer yet that manage to keep the audience constantly guessing as to what will happen next in the story. When a film manages to captivate its audience in such a way, it is usually expected that such a film would be highly rated. Such is the case of the 1971 film A Clockwork Orange which was directed by Stanley Kubrick.

Alex is a teenager who enjoys getting into trouble. His past run-ins have lead to several warnings and he is on the brink of being locked away in a cell, but his violent nature will not allow him to reform himself of his own account. He is joined by a group of three friends who share his penchant for violent and abusive behaviour. Together they go about vandalising property, engaging in fights, assaulting peace-loving citizens and sexually abusing anyone they fancy. With time, Alex becomes a dictator-like head of the group and frustrates the others into a mutiny. Stifled by Alex’s aggression, the others hitch a plan to get him locked away by putting him in a situation where he will lose all calm and commit a horrible act of aggression that will ultimately change the rest of his life.

A Clockwork Orange was directed by Stanley Kubrick who also wrote the screenplay based on a novel of the same name by Anthony Burgess. The story uses extremely unpleasant behaviour from the main characters to depict the traits of juvenile sociopaths. It is an exaggerated social commentary on the thoughts of adolescent young men. The main highlights of the film are the subjects of rape, ‘ultra-violence’ and an obsession with classical music which provides the protagonist with a belief that he is better than other delinquents because of his refined tastes.

The film employs first-person narration by the protagonist to emphasis the story. He narrates the emotions that run through his head which would be difficult for the audience to understand since his actions are mostly unexpected. The narration also helps piece together sections of the film which seem to be missing and provide a link as the story skips several months in the timeline. Instead of using track shots, the director opted to use the zoom technique in quite a few shots; particularly in the opening sequences. The first shot of the film itself is a zoom shot which begins with a close-up of the protagonist’s face and then gradually zooms out to establish a large room which he is sitting in. Use of narration and zoom shots are usually considered faux-pas in filmmaking, but the use in this film may be considered an exception since they are used well on occasion. Other techniques utilised include use of classical music in the background score since it forms a key part of the story.

What is most astonishing about the story is that the audience never really comes to grips with what is happen and the guessing game extends from trying to predict what will happen next in the story to what the character is actually thinking. Trying to understand the protagonist becomes important for the audience member since his actions are not easily explained by rational decisions. The language in the film is not easy to decipher since it involves plenty of Cockney slang and made-up words by the protagonist. The character and his idiosyncrasies were created with the intention of the throwing the audience off and to keep them constantly guessing.

The film starts off quick and establishes the character early. From there it moves into his daily life routine which is part amusing and part shocking for the audience. A conflict is then introduced in the storyline which changes the routine life of the protagonist for the rest of the film. Unfortunately, the film moves quickly and is interesting until this point but tends to move slowly and becomes illogical after the conflict is introduced.

The film has its moments and some sections of it are truly iconic. However, it does drag on towards the latter half. All the same, it is quite a good film especially with the interesting use of faux-pas techniques and since it captivates the audience and keeps them guessing.

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